DIORAMA FOR INSECTS


Butterflies use colour vision when searching for flowers. Unlike the trichromatic retinas of humans (blue, green and red cones; plus rods) and honeybees (ultraviolet, blue and green photoreceptors), butterfly retinas typically have six or more photoreceptor classes with distinct spectral sensitivities. 

In some butterflies, the spectral sensitivities of the light-sensing cells even differ between the sexes of one species, which is called “sexual dimorphism.” In the small white butterfly, Pieris rapae, only females have violet-sensitive cells, while males instead have double-peaked blue-sensing cells.


Color Vision: The ability to detect differences in the wavelengths making up light, rather than just the brightness of the light.

Light-Sensing Cell (Or “Photoreceptor”): A special type of nerve cell found in animal eyes that produces electrical signals when light shines on it.

Compound Eye: The kind of eye that most insects and crustaceans have. It consists of many units called ommatidia. Each ommatidium has a lens with a bundle of light-sensing cells underneath.




to the left, DIORAMA FOR A INSECTS
Colour filters, transparent paper, light



DIORAMA FOR INSECTS

Shown at ”Nordens Lys 10 + 10”
Dronninglund Kunstcenter, Denmark
11. sep. – 7. nov. 2021

Wooden box 30 x 30 x 30 cm
Lens and lamp
Light, transparent filters


 


DIORAMA FOR BIRDS

Shown at ”Nordens Lys 10 + 10”
Dronninglund Kunstcenter, Denmark
11. sep. – 7. nov. 2021


Wooden box 30 x 30 x 30 cm
Lens and lamp
Various material


 



DIORAMA FOR BIRDS


Eyes are most important sense for birds. In fact, a bird can see more colors than a human can. As birds are tetrachromats, they see four colors: UV, blue, green, and red, whereas we are trichromats and can only see three colors: blue, green, red.


Birds can see fruits such as berries and those with waxy coatings more clearly than humans. Waxy coatings reflect UV light, making them stand out against leaves and plants in the bird’s eye view. Certain insects and flowers reflect UV light, which also aids birds in finding these nutritious food sources.

Birds have a number of adaptations which give visual acuity superior to that of other vertebrate groups; a pigeon has been described as "two eyes with wings".











to the right, DIORAMA FOR BIRDS
Various material 






DIORAMA FOR ANIMALS


The structure of an animal's eye is determined by the environment in which it lives, and the behavioural tasks it must fulfill to survive. Arthropods differ widely in the habitats in which they live, as well as their visual requirements for finding food or conspecifics, and avoiding predators. Consequently, an enormous variety of eye types are found in arthropods: they possess a wide variety of novel solutions to overcome visual problems or limitations. -from Wikipedia


Nocturnal insects have evolved remarkable visual capacities, despite small eyes and tiny brains. They can see colour, control flight and land, react to faint movements in their environment, navigate using dim celestial cues and find their way home after a long and tortuous foraging trip using learned visual landmarks. - from The remarkable visual capacities of nocturnal insects, by Eric J Warrant











to the left, DIORAMA FOR MOTHS
UV light, flourescence 




DIORAMA FOR ANIMALS


The enormous variety of eye constructions in the animal world shows that animals use different amounts and different parts of the visible information that surrounds us.

Human and non-human eyes consist of pure optics and electronics, but in a biological package, and have been optimized in various animals for millions of years. Researchers believe that different eyes have evolved at least seven different ways, which is why, the insect eyes are so different compared to other animals' eyes.

















to the left, DIORAMA FOR A HUMBLEBEE
300° video projection on a "pixalated" surface









Friedrich Justin Bertuch, description of how a diorama works, 1790-1830

THE DIORAMA PROJECT

 

A short historic introduction:

Early forms, so-called proto-dioramas, can be found in reli­gious art.
These take the form of small and larger sculp­tural presen­ta­tions behind glass,
which were intended to bring the secret of faith to life. As objects of popular
devo­tion, they became wide­spread in the seven­teenth and eigh­teenth
centuries.

But, Louis Jacques Mandé Daguerre and Charles-Marie Bouton are
consid­ered as the inven­tors of the diorama, as an optical-mechan­ical play­house.
Visitors could marvel at illuminated canvases with scenes of historical events, which were set in motion with light and stage techniques and accom­pa­nied by orches­tral music. 



Diorama with a viewer at American Museum of Natural HistoryNew York City 2015


After 1900, the signif­i­cance of the diorama concept changed, expanding
into other areas. As a glass show­case, it estab­lished itself as the preferred
form of presen­ta­tion for natural-histor­ical, anthro­po­log­ical and
histor­ical museum collec­tions. In the age of colo­nialism, dioramas
served as propa­ganda tools and for the polit­ical justi­fi­ca­tion of
hege­monic power strug­gles. 


The diorama not only combines objects but becomes one itself: It brings together various mate­rials, such as plaster, textiles, fur, paper, wood, and paint, which are processed and arranged creatively by artists, anthro­pol­o­gists, and museum taxi­der­mists to form an overall scene.


The word DIORAMA literally means "through that which is seen",
from the Greek di- "through" + orama "that which is seen, a sight".